While the general structure ABa fits the music, the form is less likely to be rounded binary because two main themes are used, therefore the music is not monothematic, nor are the sections harmonically open. An alternative to ternary form could be rounded binary form, again with an added coda. The thematic material in the A and B sections would sharply contrast which they do here. In ternary form, the first and third sections (A) are normally identical, although commonly, the third section will feature more ornamentation than the first section while the middle section (B) contrasts sharply with it. On a superficial level, the overall structure of ternary form A B A, fits the structure of the movement well. While the overall structure of the movement is ambiguous, I think the form best fitting the movement is ternary form, extended by a coda created from material originating in section B. The accompaniment also shows this rhythm in bar 29 in the arpeggio the return to the previously arpeggiated note occurs on this rhythm.ДЄccompaniment picking up rhythmic cell Overall Structure This rhythm is used in the right hand to form melodies such as the second theme in bar 27-36, or in the transitional section in bar 39-40. The second theme of the movement is constructed from the rhythmic cell shown below. The second half of the theme is sequential, shown by the yellow. The first half of the theme (blue) is voiced in thirds, but the latter half is not. The upper turns shown in pink on the above diagram originate from the thematic fragments used between movements. Theme 1 is created from various constituents. Thematic Fragment as it appears in the Menuet: Thematic Fragment as it appears in the PrГ©lude: This is worth mentioning, as while Debussy has composed a movement that may itself warrant detailed analysis, it is important to remember that care has been taken with both compositional material and structure on a macroscopic level. The opening theme of Clair De Lune is derived from music heard in the preceding movements of the suite. Most important of all, they show ways in which the forms are used to project the musicвЂ™s dramatic and expressive qualities with maximum precision. The use of structure and proportion within the movement is significant The positioning within the suite is important it is the suiteвЂ™s third movement, and is the lyrical climax of the suite. In addition, Clair de Lune is compositionally, the most adventurous piece of the suite. The choice of compound triple meter for this movement shows the contrast to the dance movements and helps allow Debussy freedom to articulate the music differently. It is important to note that with the exception of the poetically titled Clair de Lune, suite Bergamasque is created exclusively from Baroque movements. Claude Debussy (1862-1918) composed Clair de Lune, the third movement from the Suite Bergamasque in 1888 (first published in 1903).

Claire de lune guitar chords